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Photo shoot with Jimi Filo Photography

I mentioned the other day that I was approached recently by a local photographer to collaborate on a photo shoot. Pretty cool, right?

Jimi Filo has been into photography for most of his life and definitely knows his way around a camera, but has only ventured to make a career out of it in the last few years. He’s finding himself increasingly drawn to food as a subject and has been working to expand his portfolio to include more food photography. He asked if I’d be interested in allowing him to photograph me as I go through my typical process for recipe testing and creation. Of course I was thrilled to have someone take an interest in my creative process, I couldn’t accept the offer fast enough!

A few weekends ago he showed up at my doorstep with all his gear in tow, his wife/assistant Jen at his side to help with lighting. They got set up in the dining room as I got to work on the first of two recipes I’d be testing that day: Matcha bars with strawberry jam filling.

JF mixing matcha bars

The bars were based on a similar recipe that I’ve made countless times, so I knew they’d turn out. The only thing I was really trying to figure out with this test was how much matcha to use and how long to bake them.

I love a strong grassy green tea flavor, but matcha is often expensive so I’m always mindful to not use too much of it in a recipe for fear that people just won’t make it! There’s a recipe in my book that I probably used around $6 worth of matcha in, but I made sure to proclaim that this was a luxury dessert and not something you would just whip up for the fun of it.

JF turning on mixer

As I worked, we chatted about how I got into Japanese food. Here’s the basic story…

Growing up, my mom was always a great home cook. While we certainly weren’t eating anything super exotic for dinner, we were definitely eating more adventurous foods than the standard Southern classics that most of my friends grew up on. I totally took having delicious meals every night for granted, because I never sought to learn how to cook anything before moving out of the house just after high school graduation.

JF scooping out crumbs

Learning how to feed myself for the first time as a young adult was an immediate challenge. I could barely even make a decent sandwich or work a toaster properly. I relied heavily on ramen noodles, and honestly I screwed those up pretty often too. (I’m recalling an incident where I tried to boil them in a Pyrex measuring cup and the thing exploded glass and noodles all over my kitchen. o_O)

As you can imagine, I got tired of eating ramen noodles 4 nights a week pretty fast. I started trying to jazz them up a bit by adding frozen vegetables. When I got tired of that I tried adding sauteed mushrooms (I learned to saute!) and eventually even sauteed frozen shrimp. After months and months of these experiments I got confident enough to try making my own broth too and finally threw out that gross seasoning packet.

JF spreading jam on matcha bars

It just sort of took off from there. I had a refrigerator full of asian condiments from my ramen experiments, so I figured I might as well learn how to use them for other recipes too. After years and years of experimenting in the kitchen, with my many fails and explosions along the way, I became a more knowledgable and confident cook armed with my arsenal of familiar Japanese and asian flavors. I cook plenty of other types of food now, but I always tend to gravitate back toward those flavors that I know and love the most.

As the matcha bars baked, I got to work cleaning up for the next recipe: Duck soba. Jimi used this time to snap a few photos of ingredients and some knick knacks I had hanging around.

JF shiitakes and scallions

JF tetsubin

He then turned his focus to the prep work I was doing for the soba. I trimmed up some duck thighs and sliced a basket-load of shiitakes.

JF trimming duck

JF slicing shiitakes

The duck thighs were seared in my donabe, or clay pot, one of my very favorite kitchen toys. After they came out, I made the broth in the same vessel making sure to scrape all the tasty brown duck bits off the bottom. The shiitakes went in too, along with the scallions, and the broth simmered away as I shredded up the duck to add back later. (BTW, this method for cooking the duck totally did not work and I ended up retesting this recipe later. I’ll tell you what method I settled on next week when I share the recipes from this shoot.)

JF searing duck

JF adding shiitakes to broth

JF simmering shiitakes

So how did it all turn out? The matcha bars were a hit even though I feel that I overbaked them by a few minutes. I retested the recipe a few days later omitting an ingredient but didn’t like them as much. I think the original recipe minus 5 minutes cooking time will be the final version of these yummy treats.

JF matcha bars

The soba was delicious as well. One more retest and I think I’ll be ready to post it on the blog. We all got to sit down and enjoy it for lunch while gabbing about our past careers and how both Jimi and I have sort of stumbled back into careers that revolve around a creative process, he with photography and me with cooking and writing.

JF duck soba lunch

JF soba in chopsticks

All in all this was a really fun and interesting opportunity. I’m glad that Jimi got some new content for his portfolio, which he intends to write up as a photo essay in the future (I’ll share the link when it’s up.) And I appreciate that I got to use his shots for my blog. It’s kinda neat to see everything from the angle of an outside observer.

Check out his site for more of his photography (I’m particularly fond of the pet photos, so expressive!) and if you’re in the Atlanta area and need a photographer, hit him up! Recipes for the duck soba and the matcha bars with strawberry jam should appear on the blog next week!

All photos featured in this post are property of Jimi Filo Photography and were used with his express permission. 


Giveaway time! Win a signed copy of The Japanese Pantry!

Bout time I gave one of these suckers away, right?

The Japanese Pantry

So here’s the deal. If you’d like to win a copy of the book plus some bonus yummy goodies, you can enter using any or all of these methods:

  1. “Like” Thyme Bombe Blog on Facebook, then leave a comment below to tell me you did or already follow me.
  2. Follow Thyme Bombe on Twitter, and leave a comment below.
  3. Follow Thyme Bombe on Pinterest, and leave a comment below.
  4. Tweet this giveaway with a link back to this post, and leave a comment below saying you did.
  5. Mention this giveaway on your blog, or on Facebook if you don’t have one. Leave a comment to tell me you did.
  6. Leave a comment telling me your favorite Japanese food or ingredient. (Easy one!)

Please leave a comment below for each entry. Giveaway closes at 9am EST this Thursday (3/21), winner announced later that day.

Thank you all again for the support you’ve shown me as I struggled to complete this book. And thank you to everyone who purchased a copy, I truly appreciate it and it feels good to know I’ve made something that people care about.

(Edit: This giveaway is now closed.)


How to self-publish a book – Part 3: Photography Skills

Before I even started writing The Japanese Pantry, I knew that I wanted to create a book full of color and life. I have a hefty collection of cookbooks on my shelf, and the ones I love the most are the ones that have a photo for every single recipe. I was a complete novice to photography though, so I knew that if I was going to create a cookbook full of stunning photos like the ones in the books by celebrity chefs, I was going to have to teach myself how to work a camera properly, and fast.

Understanding Exposure

I purchased Understanding Exposure, by Bryan Peterson, to learn more about how a camera works and how to interpret light. I found this book extremely helpful, and set to work testing my new knowledge with my little point-and-shoot camera. I would set up little photo experiments where I would photograph the same object from the same angle multiple times, changing one of the cameras settings slightly each time to see the effect it created from the previous shot. My skills somewhat improved, but it still seemed that I just could not recreate the professional shots I was going for even when I did everything “right.”

The game really changed for me when Jeff got me a DSLR camera for Christmas, a Canon Rebel T3i. It became so much easier to manipulate the camera to do what I wanted it to do. I was so impressed with the change in quality from our Canon Powershot S90 (which really is an excellent point-and-shoot if you can’t go full DSLR) that I ended up going back and retaking some shots for the book with the new camera. The Rebel is definitely a beginner’s DSLR, but I’ve found it to have plenty of functionality for my current needs.

Love my gift!

I also have to give some credit to IKEA for my rapid improvement in photography skills. Wait, what??? I mentioned this last year when I first announced that I was writing a book but it bears repeating because it’s kind of incredible when you really think about it. Every single picture that appears in The Japanese Pantry that was not taken in a light box, was taken on a little square IKEA end table. Every one. I had nothing else at the time.

My photography table

This tiny setting forced me to get really creative with my photography to keep every shot from looking the same. I spent a tremendous amount of time on each shot getting my angles just right, the focus right where I wanted it, being careful not to let any of the area around the table show up in the frame. And I didn’t have a tripod that would let me get low enough to the table either, so nearly every shot had to be hand held. I would take a deep breath and release the shutter as I breathed out, just like a sniper. Sometimes I would be able to get the shot in about ten tries, but oftentimes it would take 30 or even 40 or more shots to get everything just right.

Also, because I didn’t have the stability of a tripod to take longer exposures, I could only photograph recipes on bright sunny days with plenty of light. This was severely limiting for me and one of the major reasons why I missed every deadline I made for getting things done with the book. Sometimes we’d have entire weeks of rain and gloom during which I was unable to take any photos. I’d work on whatever else I could, but it was not uncommon for me to just not get any book work done for days due to insufficient lighting. I wish now that I’d invested in artificial lighting sources way sooner. I’ve only just recently starting using light kits to fill in for the sun, and I’m kicking myself for wasting so much time without them.

I did my very best to edit the shots I got with my computer’s stock photo editor, iPhoto, but quickly realized that I had the need for more professional editing software. In the next installment of this series I’ll show you what software I went with and discuss its strengths and limitations.

If you missed them…

Part 1: Getting serious

Part 2: Anthologize and CreateSpace